Claude Monet

Impressionism founder

Modern influential 136 sayings

Sayings by Claude Monet

Every day I discover more and more beautiful things. It's enough to drive one mad. I have such a desire to do everything, my head is bursting with it.

1890s (approx.) — Widely attributed, likely from letters
Strange & Unusual Confirmed

I'm not performing miracles, I'm using up and wasting a lot of paint…

1890s (approx.) — Widely attributed, likely from letters
Strange & Unusual Confirmed

What keeps my heart awake is colorful silence.

1890s (approx.) — Widely attributed, likely from letters
Strange & Unusual Unverifiable

If the world really looks like that I will paint no more!

1890s (approx.) — Widely attributed, likely from letters
Strange & Unusual Unverifiable

I get madder and madder on giving back what I feel.

1890s (approx.) — Widely attributed, likely from letters
Strange & Unusual Unverifiable

Impression – I was certain of it. I was just telling myself that, since I was impressed, there had to be some impression in it … and what freedom, what ease of workmanship! Wallpaper in its embryonic state is more finished than that seascape.

1874 — Referring to his painting 'Impression, Sunrise'
Strange & Unusual Unverifiable

To see we must forget the name of the thing we are looking at.

1890s (approx.) — Widely attributed, a core artistic philosophy
Strange & Unusual Unverifiable

It is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare.

Late 1800s (approx.) — Widely attributed
Strange & Unusual Unverifiable

Everything changes, even stone.

Late 1800s (approx.) — Widely attributed
Strange & Unusual Unverifiable

I would advise young artists to paint as they can, as long as they can, without being afraid of painting badly.

Late 1800s (approx.) — Widely attributed
Strange & Unusual Confirmed

These palm trees [in Bordighera, Italy] are driving me crazy; and also the motifs are extremely difficult to render, to put down on canvas; everywhere is so lush.

1884 — Letter from Bordighera, Italy
Strange & Unusual Unverifiable

Aside from painting and gardening, I am good for nothing.

Late 1800s - Early 1900s — Widely attributed, likely from letters or interviews
Strange & Unusual Unverifiable

I'm never finished with my paintings; the further I get, the more I seek the impossible and the more powerless I feel.

1890s (approx.) — Letter to his wife Alice Hoschedé
Strange & Unusual Confirmed

More than ever despite my poor sight, I need to paint and paint unceasingly.

Early 1900s — Letter, reflecting on his diminishing eyesight
Strange & Unusual Unverifiable

City life doesn't really suit me.

Late 1800s — Widely attributed, personal reflection
Strange & Unusual Unverifiable

Étretat is becoming more and more amazing...it's superb and I rage at my inability to express it all better. You'd need to use both hands and cover hundreds of canvases.

1880s — Letter from Étretat
Strange & Unusual Unverifiable

Ah, gentlemen, I do not receive guests when I'm working, indeed. When I work, if I am interrupted, I lose all inspiration; I am lost. You understand, I'm chasing a band of colour.

Early 1900s — Quoted in a conversation with Georges Bernheim and René Gimpel
Strange & Unusual Unverifiable

While you philosophically seek the world in and of itself, I simply focus my efforts on a maximum number of appearances, in close correlation with unknown realities.

Late 1800s — Letter, expressing his artistic philosophy
Strange & Unusual Unverifiable

I want to paint the air in which the bridge, house or boat exists. The beauty of the air where they are. Yet it is nothing short of impossible.

Late 1800s — Widely attributed, a core artistic ambition
Strange & Unusual Unverifiable

It took me a while to understand my water lilies… I grew them without thinking about painting them… A landscape does not pervade your senses in one day… Then suddenly I had a revelation and clearly saw these wonders on my pond. I took up my palette and paintbrush. And since then, I've hardly used any other subject.

Early 1900s — Personal reflection on his Water Lilies series
Strange & Unusual Unverifiable