Edvard Munch

The Scream

Modern influential 138 sayings

Sayings by Edvard Munch

I inherited two of mankind's most frightful enemies - the heritage of consumption and insanity.

Early 20th Century — Reflecting on his family's history of tuberculosis and mental illness.
Strange & Unusual Confirmed

I was stretched to the limit—nature was screaming in my blood… After that I gave up hope ever of being able to love again.

1892 (diary entry, elaborated later) — Further elaboration on the intense emotional state during the 'Scream' experience and its lasting im…
Strange & Unusual Unverifiable

When I painted, I was a master. I felt that I dominated him, who dominated me.

Early 20th Century (likely during or after his sanitarium stay around 1908-1909) — Describing the power dynamic and sense of control he felt while painting his doctor.
Strange & Unusual Unverifiable

Is it because she took my first kiss that she took the perfume of life from me?

Late 19th Century — A melancholic and poetic reflection on a past, possibly formative, romantic relationship.
Strange & Unusual Unverifiable

Had I been in possession of the as yet undiscovered little remote telephone which one carries around in one's pocket, you would have long ago received communications from me.

Undated (approx. early 20th Century) — In a draft of a letter to his friend Jens Willumsen, expressing a desire for a mobile communication …
Strange & Unusual Unverifiable

As a member of the vegetarian cult, I say: Convert from Cannibalism! Do not eat your uncles, aunts and little cousins ​​with shiny eyes. Eat instead, like the lamb, the lily, Lily of the Valley and the grass. You are in fact half vegetarian already – Cognac, burgundy wines and champagne are the blood of the grape.

Approx. 1932–33 — In a letter to his friend Jens Thiis, expressing his vegetarian views with a humorous and somewhat b…
Strange & Unusual Unverifiable

An old wise man's soul has taken up residence in my dog.

Early 20th Century — A comment to his friend Christian Gierløff, anthropomorphizing his dog Fips.
Strange & Unusual Unverifiable

My afflictions belong to me and my art - they have become one with me. Without illness and anxiety, I would have been a rudderless ship.

Early 20th Century — Another statement on the inextricable link between his personal suffering and his artistic output.
Strange & Unusual Unverifiable

The strange light illuminated all those night-time meetings that took place in every imaginable sort of café; the lips mouthing defiant words, heedless of restraint or consequence, often overbearing and brutal as only Norwegians can be, vast shadows of impotence misery and shabbiness – spirits training for fulfillment, striving in vain to be great, complete, unique.

Approx. 1886-1889 — A descriptive and somewhat cynical observation of the Norwegian bohemian scene in Kristiania (Oslo) …
Strange & Unusual Unverifiable

And I live with the dead – my mother, my sister [Sophie], my grandfather, my father [who died in 1889, when Munch was in France].. . Every day is the same – my friends have stopped coming – their laughter disturbs me, tortures me.. ..my daily walk round the old castle becomes shorter and shorter, it tires me more and more to take walks. The fire in the fireplace is my only friend – the time I spend sitting in front of the fireplace gets longer and longer.. ..at its worst I lean my head against the fireplace overwhelmed by the sudden urge – Kill yourself and then it's all over. Why live?

Late 19th Century (after 1889) — A raw and deeply personal diary entry detailing his profound isolation, grief, and suicidal thoughts…
Strange & Unusual Unverifiable

Nothing ceases to exist – there is no example of this in nature.. . There is an entire mass of things that cannot rationally explained. There are newborn thoughts that have not yet found form. How foolish to deny the existence of the soul.

Late 19th - Early 20th Century — A philosophical reflection on existence, the irrational, and the soul, likely from his notes or diar…
Strange & Unusual Unverifiable

I thought I should make something – I felt it would be so easy – it would take form under my hands like magic. Then people would see!

Late 19th Century — Expressing a moment of intense creative inspiration and grand artistic ambition.
Strange & Unusual Unverifiable

The sea – it is as incomprehensible as existence – it is incomprehensible as death – as eternal as longing.

Late 19th - Early 20th Century — A poetic and profound reflection connecting the vastness of the sea to fundamental human experiences…
Strange & Unusual Unverifiable

The rich man who gives, steals twice over. First he steals the money and then the hearts of men.

Early 20th Century — A cynical socio-economic commentary, likely from his personal writings.
Strange & Unusual Unverifiable

I do not paint what I see, but what I saw.

Late 19th - Early 20th Century — Explaining his approach to art, focusing on memory and inner experience rather than direct observati…
Strange & Unusual Confirmed

The colors live a remarkable life of their own after they have been applied to the canvas.

Late 19th - Early 20th Century — Describing his perception of colors and their independent existence in his art.
Strange & Unusual Unverifiable

A picture is just like me; the more you try to understand it, the more it hides from you.

Early 20th Century — A statement on the elusive and introspective nature of his art, mirroring his own personality.
Strange & Unusual Unverifiable

What I am seeking is not the real and not the unreal but rather the unconscious, the mystery of the instinctive in the human race.

Early 20th Century — Defining the core objective of his artistic exploration.
Strange & Unusual Unverifiable

My fear of life is necessary to me, as is my illness. They are indistinguishable from me, and their destruction would destroy my art.

Early 20th Century — A strong assertion of the integral role of his suffering in his identity and artistic creation.
Strange & Unusual Unverifiable

I do not believe in the art which is not the compulsive result of man's urge to open his heart.

Late 19th - Early 20th Century — Stating his belief that true art must come from deep emotional compulsion.
Strange & Unusual Unverifiable